The object I’m analyzing is a 19th century brass candlestick, known as a girandole, with a white marble platform. However, this isn’t an ordinary brass candlestick—there’s an entire scene depicted within the base of the candlestick. There is a Revolutionary war veteran in military garb, with a peg leg, standing next to a small, what looks like female, child under a tree. Both of the figures are wearing hats and holding a long, cylindrical object—the man’s looks like a cane, and the young person’s is of a similar shape but harder to tell what it may be. There are flowers and leaves at the feet of the figurines, and vines that adorn the tree, which stretches up to the base of where the candle goes. Right above the head of the soldier are eight faceted cut glass prisms that hang from the brass support in the shape of wood vine. The candlestick is 15 inches tall and about seven inches wide.

This object was located in the Deyo House on Huguenot Street. It was donated around 1958 by an eighth generation Deyo, who also contains some LeFevre heritage, Elizabeth Tallman Winne—her mother was Jane LeFevre Deyo. Winne lived in Kingston for most of her life. Winne made this donation along with a lot of other mid-19th century Victorian objects. By analyzing the objects she donated, it can be surmised that Winne was a collector of Deyo family items and of 19th century objects.
This candle stick is from the later 19th century, and characterizes the Victorian and Colonial Revival eras.

A closeup of the scene depicted, revealing more details of the figures and creating more ambiguities.

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