An Heirloom Ring

Image 1: The ring viewed from slightly above
Image 2: The ring photographed with a quarter.

The object I’ve decided to describe is my great-great-grandmother’s engagement ring. Her name was Edna Greoss, the ring was given to her in 1916 by her husband Geoge Maier. Both of them being from German immigrant families living in Brooklyn, New York. They had one son, Joseph Patrick Maier born on Saint Patrick’s day in 1913. Joseph was their only child as George died fighting a fire in 1919, just three years after their marriage. Edna would wear this ring until her death in 1984 when she was 87. Before she was buried, Joseph took the ring and later gave it to his wife Kathryn Meringolo. When my great-grandmother Kathryn died, her jewelry was divided amongst her children, with my grandma, Arlene Botte receiving Edna’s engagement ring in her share. This would then be given to my mother, Marie, as she is the only one amongst her siblings who cares for jewelry. 

The ring itself is rather simple, with a small diamond and a thin yellow gold band. Starting with the central stone, one can see that the stone is cut in the traditional diamond shape, with a wide, flat head at its top. The diamond’s head is about an ⅛” wide and then angles down slightly at its sides. This then leads directly to where the stone angles into a sharp point at its bottom. The diamond’s width from top to bottom is also about an ⅛”, however is difficult to see within the rings setting. This cut would be very traditional and quite popular in 1916 at the time of its creation. The diamond itself is strikingly clear, however it lacks the same iridescence, exactness, and almost splintered look that may be found in a modern diamond. This is because this diamond was hand cut by the jeweler as opposed to the machine cut diamonds that are popular in engagement rings of the last 50 years.  

Image 3: The ring viewed from fully above.

The setting the diamond is placed in is also rather traditional for the time. The gold prongs that hold the stone snuggly in place rest in four corners, creating a square around the diamond, though the edges are rounded. With the prongs around it the diamond reaches 3/16”. The prongs themselves are segmented into three sections each by two lines cut into the metal. These three segments are all rounded, coming together into one unsegmented strip of metal that connects to the actual band of the ring. On the top and bottom of the ring, between each pair of prongs there are 2 pieces of gold that look as though they would wrap around the prongs, however this is a mostly superficial feature that acts as a visual and protective barrier to the diamond. 

Further describing the setting, one can see directly on either side of the diamond, a separate piece of metal, thicker than the band, though only 1/16”. These pieces of gold reach from the diamond down to the ring’s band. Where it connects to the band, it is wrapped by two thin circles of gold. This piece, what is called the gallery, is what makes up the bulk of the ring’s setting, lifting the ring up slightly from its band. Where it lifts from the band there is a slight gap between the setting and the ring, just large enough that you would be able to see slightly through it. When looking straight at the ring you can also see that this setting is decorated by two lines on either side of the diamond. The lines taper, with them being thickest at the stone, getting thinner as they get closer to the band. 

The band itself is incredibly thin, being barely wider than 1/32”, slightly thinner than a normal iPhone charger. It has slight dents here and there, due to gold being such a soft metal, though it still remains a perfect circle. While there may have once been an original engraving on the inside of the band, that has been lost. This would have happened in the time of Kathryn owning the ring. One can see by the barely visible line in the band that she had the ring made smaller, cutting out the original engraving and later having a small letter “K” engraved into the ring’s side. However, there has been no more interference with the ring’s structure, now resting at a ring size 5, being about ¾” wide overall.

Since we were children, my sister and I debated who would get great-great-grandma Edna’s engagement ring. After many petty arguments the ring has come into my possession. The argument was admittedly solved because it fit me perfectly while it was too small on my sister. However, I am just glad to have such an important heirloom so that I may pass it on to my own children someday.

2 thoughts on “An Heirloom Ring

  1. Hi Natalie,
    This is truly such a gorgeous heirloom! I loved learning about both the story and the craftsmanship behind this ring. I think one of my favorite aspects of reading about this ring was how you mentioned everything seemed to be cut by hand and not by machine. I’m not quite sure why but I feel as though since a lot of the craftsmanship was done by hand it adds another level of personalization and thought. Knowing another person worked specifically on a ring meant for such an occasion, and put time and effort into that creation seems to unintentionally give an additional layer to their story. Again, it is a stunning ring and definitely something my sisters and I would fight over as well!

  2. Hello,
    Your description of the ring was excellent and I really got a good sense as to the shape and form of your object, even without the pictures (which are excellent). The quarter really helped me get a sense of scale for the ring. I am interested to see that so much of the history of the ring is well known, I myself don’t really have many heirlooms and such, and what we might consider as such arent really well documented, in terms of its history that is.

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